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Directed by Randall Wallace, and Written by Mike Rich, and Sheldon Turner, and Produced by Mark Ciardi, and Gordon Gray, Starring: Diane Lane, John Malkovich, Dylan Walsh, James Cromwell, Kevin Connolly, Scott Glenn, with Cinematography by Dean Semler, and Edited by John Wright, and Music by Nick Glennie-Smith, with Production companies: Walt Disney Pictures, and Mayhem Pictures, and Distributed by Walt Disney Studios Motion Pictures


Secretariat and the Legacy of the Greatest Racehorse in History…

When Secretariat galloped into theaters in 2010, it brought with it more than a tale of triumph on the track. It delivered a polished, Disney-fied version of one of the most astonishing true stories in American sports history: how a relatively inexperienced woman took control of her father’s failing stables and, with unshakable belief in a horse named Secretariat, rewrote the history books of thoroughbred racing.

Directed by Randall Wallace with a script by Mike Rich and Sheldon Turner, and starring Diane Lane as Penny Chenery, and inspired by William Nack’s 1975 book Secretariat: The Making of a Champion. Secretariat is as much about a woman’s defiance of 1970s gender roles as it is about horse racing glory. With sweeping cinematography, a rousing score, and a focus on determination over odds, the film taps into the formulaic magic of sports dramas while commemorating a very real, very dominant athlete—one with four legs.

But how much of what’s shown on screen really happened? Who was the real Penny Chenery? And what ethical questions does the film overlook in its sanitized depiction of the horse racing world? Let’s explore the film’s historical context, its characters, and the legacy it portrays.

Directed by Randall Wallace, and Written by Mike Rich, and Sheldon Turner, and Produced by Mark Ciardi, and Gordon Gray, Starring: Diane Lane, John Malkovich, Dylan Walsh, James Cromwell, Kevin Connolly, Scott Glenn, with Cinematography by Dean Semler, and Edited by John Wright, and Music by Nick Glennie-Smith, with Production companies: Walt Disney Pictures, and Mayhem Pictures, and Distributed by Walt Disney Studios Motion Pictures

Historical Accuracy: Disney’s Version vs. Reality

Secretariat broadly adheres to the main events of the horse’s life, particularly his legendary Triple Crown win in 1973. The races—especially the Belmont Stakes, which the real Secretariat won by an unprecedented 31 lengths—are re-created with cinematic reverence. But in its effort to create a feel-good narrative, the film trims and reshapes some key details.

For instance, the script downplays the business complexities Penny Chenery faced in real life. While the movie suggests a relatively straightforward series of decisions, Chenery’s actual path involved intense financial negotiations, a syndication deal to cover her father’s estate taxes, and plenty of behind-the-scenes maneuvering. Trainer Lucien Laurin, played with flamboyant flair by John Malkovich, was far more reserved and calculated in real life than his Hollywood portrayal suggests.

Moreover, the film simplifies the competition. Rival horses and races like Sham, Riva Ridge, and others are condensed or omitted to streamline the narrative. This choice may help pacing, but it erases the broader tension and talent of the 1973 racing season—a season that featured more than one great horse.

Still, despite these simplifications, Secretariat preserves the emotional and historical essence of its source. It’s not a documentary, but for many viewers, it successfully ignites curiosity about the real events behind the glory.

Directed by Randall Wallace, and Written by Mike Rich, and Sheldon Turner, and Produced by Mark Ciardi, and Gordon Gray, Starring: Diane Lane, John Malkovich, Dylan Walsh, James Cromwell, Kevin Connolly, Scott Glenn, with Cinematography by Dean Semler, and Edited by John Wright, and Music by Nick Glennie-Smith, with Production companies: Walt Disney Pictures, and Mayhem Pictures, and Distributed by Walt Disney Studios Motion Pictures

Penny Chenery: The First Lady of Racing

Diane Lane’s portrayal of Penny Chenery is quietly powerful—equal parts maternal, stubborn, and visionary. Yet the real-life Chenery was even more complex. Born into horse racing royalty, she had been exposed to the sport as a child, though she initially pursued a more conventional life as a suburban mother and wife. When her father’s health declined, she stepped into a world she had once only observed—and took command.

What Secretariat captures well is Chenery’s resilience in a male-dominated business. She wasn’t taken seriously at first—few women were in 1970s racing circles—but she understood not only the emotional connection to her horses but also the sharp business acumen required to survive. Her 1973 syndication deal for Secretariat, selling shares in the yet-unproven colt to cover estate taxes, was a landmark moment in equine finance and one of the savviest moves in sports history.

After Secretariat’s success, Chenery remained an active voice in the racing world for decades, advocating for both the sport and the ethical treatment of its animals. Her presence wasn’t just a moment—it became a movement.

Penny Chenery and her most famous horse, Secretariat. Paul Schafer/BloodHorse photo

Secretariat: A Racehorse Like No Other

Secretariat wasn’t just good. He was a force of nature. Nicknamed “Big Red,” the chestnut colt with a white blaze was born at Meadow Stables in 1970 and quickly displayed freakish talent. His physical structure alone defied standard biology: an enormous heart (more than twice the average size), perfect stride symmetry, and an unusually calm temperament that allowed him to focus even amid the chaos of race day.

Adorned with the Garland of Roses, Secretariat, with jockey Ron Turcotte and groom Eddie Sweat, celebrate their victory at the 1973 Kentucky Derby. © Jerry Cooke—Corbis Historical/Getty Images

His 1973 Triple Crown sweep—winning the Kentucky Derby, Preakness, and Belmont Stakes—is still unmatched. In each race, he not only won but set records that remain unbroken. The Belmont in particular has entered sports mythology: Secretariat pulled away from the field and kept extending his lead, finishing 31 lengths ahead. Watching the footage feels almost surreal, as if time bent around him.

Kentucky Derby – May 5, 1973 Secretatriat went off as a 3-to-2 betting favorite, a touch better than Sham who went off at 5-to-2. While Sham ran near the front for much of the race, Secretariat methodically hunted every horse down, running each successive quarter mile faster than the previous meaning he was still accelerating near the end of the race. Ultimately, Big Red as he was known, won by a touch more than two lengths in a still-standing Derby record of 1:59.4. Preakness Stakes – May 19, 1973 It was more of the same for Secretariat in Baltimore as jockey Ron Turcotte allowed the rest of the field to go out and then picked his way through to win by two-and-a-half lengths over Sham, again. This race was not without controversy, however, as there were timing discrepancies. The infield teletimer had been damaged so its time of 1:55 was called into question and the Pimlico Race Course timer showed it at 1:54.4 and the Daily Racing Form at 1:53.4. It was not until 2012 when the Maryland Racing Commission was asked by Secretariat’s owner, Penny Chenery, to conduct a forensic review of all footage and determine the time. It was deemed to be 1:53 which set a new Preakness Stakes record (39 years after the race was run and 23 years after Secretariat had died). Belmont Stakes – June 9, 1973 Secretariat pulled away from Sham (who later was diagnosed with an leg injury) near the end of the backstretch and just kept pulling away. The track announcer referred to him as a “tremendous machine” along the way and even had trouble estimating the margin of victory; announcing it at 25 lengths, but official reviews put it at 31 lengths (over 250 feet). And the time! The time of this race was 2:24 flat, which obliterated the world record for a mile-and-a-half dirt track by 2.6 seconds.
Secretariat winning by a record 31 lengths at the Belmont Stakes, 1973. Dave Pickoff—AP/Shutterstock.com

The film captures this race in one of its most powerful scenes, blending slow motion with swelling music to evoke something transcendent. And that’s fitting—Secretariat’s performance wasn’t just an athletic triumph. It was poetry in motion.

Hollywood vs. Horse Racing: What the Film Doesn’t Show

While Secretariat delivers a rousing underdog story, it glosses over some of the more controversial aspects of horse racing—particularly around animal welfare. The sport has long been scrutinized for its treatment of horses, from the use of performance-enhancing drugs to the injuries and fatalities that occur on the track. The 2020s have seen renewed debate about horse deaths at tracks like Santa Anita, raising tough questions about the ethics behind the glamor.

Disney, unsurprisingly, sidesteps these issues. The film avoids discussing topics like breakdowns, medication abuse, or what happens to racehorses after their careers end. In that sense, Secretariat is a selective portrait, capturing the romance of racing without its shadows.

This isn’t a critique of the film’s intent—it’s a family movie with a focus on triumph—but it’s important to understand what’s missing. For viewers who want to go beyond the feel-good version, the true history of the sport is both more inspiring and more unsettling.

07 May 2005, Louisville, Kentucky, USA --- The field of 20 horses round the first turn during the 131st Kentucky Derby at Churchill Downs. Winner, Giacomo, ridden by Mike E. Smith, is on the far left in the pink and green silks. --- Image by © Steve Boyle/NewSport/Corbis

Why Secretariat Still Matters

Secretariat may not tell the whole story, but it tells a powerful one: of a woman who refused to be underestimated and a horse who redefined greatness. The film celebrates faith, persistence, and beauty in motion—values that transcend the racetrack.

Diane Lane as Penny Chenery in "Secretariat" (2010) Photo Credit: Walt Disney Studios Motion Pictures

For cinephiles and history buffs alike, it opens the gate to a deeper exploration of the 1970s, of sports mythology, and of the people and animals who shape cultural memory. And more than a decade after its release, it remains one of the most accessible entry points to understanding why Secretariat wasn’t just a horse—but a living legend.

Secretariat: 1973 Kentucky Derby Secretariat and jockey Ron Turcotte winning the Kentucky Derby, 1973. Action Plus Sports Images/Alamy

Secretariat is the is the Featured Film Blog of the month for May, for its Kentucky Derby and horse racing story. You can expect to read a critique of the 2010 film that looks at the champion thoroughbred race horse Secretariat, You can also read a recommendation for the film with a look at the Triple Crown Races. There is also a review of the film that looks at William Nack’s 1975 book that inspired the film. For the interview, Diane Lane sits down with Rolling Stone‘s Peter Travers to discuss playing Secretariat’s owner Penny Chenery. There is also a Top Ten List to commemorate the film being a Featured Film Blog of the month, and for Secretariat, the topic of the list is My Top Ten Horse Movies! And finally, as a Featured Film Blog of the month, you can watch the Official Trailer for Secretariat, and then plan on watching it tonight on Disney+!

SCROLL DOWN AND WATCH THE OFFICIAL TRAILER!

Directed by Randall Wallace, and Written by Mike Rich, and Sheldon Turner, and Produced by Mark Ciardi, and Gordon Gray, Starring: Diane Lane, John Malkovich, Dylan Walsh, James Cromwell, Kevin Connolly, Scott Glenn, with Cinematography by Dean Semler, and Edited by John Wright, and Music by Nick Glennie-Smith, with Production companies: Walt Disney Pictures, and Mayhem Pictures, and Distributed by Walt Disney Studios Motion Pictures

Secretariat is available now with a subscription to Disney+

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