JUNE 2025:

Why The Post Is a Vital Watch for Anyone Who Cares About Truth, Power, and the Press…
Steven Spielberg’s 2017 political thriller The Post is not just a dramatization of a pivotal historical moment — it’s a bracing reminder of the stakes involved when journalism collides with government secrecy. Anchored by powerhouse performances from Meryl Streep as Katharine “Kay” Graham and Tom Hanks as Ben Bradlee, the film chronicles The Washington Post’s bold decision to publish the Pentagon Papers in 1971, defying legal threats and risking the future of the paper itself. At its core, The Post is a story about courage: the moral fortitude it takes to stand against systemic deception, and the personal strength required to grow into one’s voice when surrounded by power structures that prefer your silence.










What elevates The Post from historical recounting to essential civic cinema is its sharp character focus — on the real people who faced these decisions, and the immense pressure they bore. It is also, perhaps more urgently now than even in 2017, a clarion call for a free press in the face of political intimidation. In an age of “fake news” rhetoric, attacks on journalists, and government overreach, The Post offers a timely — and timeless — lesson on the value of speaking truth to power.


Setting the Stage: What Were the Pentagon Papers?
Before diving into the characters and performances, it’s worth establishing the historical backdrop. The Pentagon Papers were a classified, 7,000-page Department of Defense study detailing U.S. political and military involvement in Vietnam from 1945 to 1967. Commissioned by then – Secretary of Defense Robert McNamara, the report revealed that successive administrations — Truman through Johnson — had misled the public about the scale and scope of the Vietnam War. In 1971, Daniel Ellsberg, a military analyst turned whistleblower, leaked the papers to The New York Times. When the Nixon administration obtained an injunction to halt further publication, The Washington Post stepped into the breach.













![On June 18, 1971, The Washington Post began publishing its own series of articles based upon the Pentagon Papers;[11] Ellsberg had given portions to The Washington Post reporter and former RAND Corporation colleague Ben Bagdikian in a Boston-area motel earlier that week.[54] Bagdikian flew with the portions to Washington and physically presented them to executive editor Ben Bradlee at the latter's house in the Georgetown neighborhood; Bradlee set up a team of writers, lawyers and editors to hide out in his house and organize the portions.[55] Bagdikian later met with Mike Gravel in front of the Mayflower Hotel on June 26[42] to give him copies.[47][43][44][45][46] On June 18, Assistant U.S. Attorney General William Rehnquist asked The Washington Post to cease publication. After the paper refused, Rehnquist sought an injunction in U.S. district court. Judge Murray Gurfein declined to issue such an injunction, writing that "[t]he security of the Nation is not at the ramparts alone. Security also lies in the value of our free institutions. A cantankerous press, an obstinate press, a ubiquitous press must be suffered by those in authority to preserve the even greater values of freedom of expression and the right of the people to know."[56] The government appealed that decision, and on June 26 the Supreme Court agreed to hear it jointly with The New York Times case.[53] Fifteen other newspapers received copies of the study and began publishing it.[11] According to Ellsberg in 2017 and 2021, 19 newspapers in total eventually drew on the Papers for their investigative work;[57][35] the Post's then-court reporter Sanford J. Ungar wrote in his May 1972 book The Papers and The Papers that aside from the Times and the Post, The Boston Globe and the St. Louis Post-Dispatch had also been brought to court by the Nixon administration over coverage of the Papers.](https://i0.wp.com/moviestohistory.com/wp-content/uploads/2025/06/The-Washington-Post-Pentagon-Papers-1024x576.webp?ssl=1)
It was an existential risk: publishing the papers could bring criminal charges, financial ruin, or even jail time. But the story needed to be told. And it was Katharine Graham and Ben Bradlee who made the final call.

Katharine Graham: Reluctant Publisher, Relentless Force

Portrayed by: Meryl Streep
Real-life legacy: First female CEO of a Fortune 500 company, Pulitzer Prize – winning memoirist, journalistic icon


In The Post, Meryl Streep gives one of her most understated yet layered performances as Katharine Graham, the socialite-turned-publisher thrust into a role she never anticipated. When her husband, Phil Graham, committed suicide in 1963, Kay took over as publisher of The Washington Post Company — a position most in her circle assumed was temporary, ceremonial, or both. She inherited a newsroom and a boardroom full of men who doubted her capabilities.





Streep captures Graham’s arc with precision: from tentative figurehead deferring to legal counsel and male advisors, to decisive publisher who silences a room by saying “Let’s go. Let’s publish.” Her transformation is the film’s spine.







After the Pentagon Papers:
Graham’s courage during the Pentagon Papers affair redefined her leadership. She backed The Post again in 1972 during the early Watergate reporting — at a time when Nixon operatives were actively trying to destroy her newspaper’s credibility and finances. By the end of the decade, The Post had won 17 Pulitzer Prizes under her watch.






She remained publisher until 1979 and chairwoman of the board until 1993. Her 1997 memoir, Personal History, won a Pulitzer Prize. Graham became a revered figure not only in journalism but also in business, paving the way for women in leadership at a time when there were virtually no female executives in corporate America. She died in 2001, having lived to see her paper’s journalistic legacy cemented by history.







Ben Bradlee: The Editor Who Dared

Portrayed by: Tom Hanks
Real-life legacy: Executive editor of The Washington Post from 1968–1991, driving force behind the Watergate investigation


Tom Hanks embodies Bradlee’s brisk, hard-nosed energy with the right blend of journalistic fervor and moral clarity. Bradlee was known for cultivating aggressive, investigative reporting and for shielding his reporters from corporate or political backlash. In The Post, he initially envies The New York Times scoop, but quickly turns combative when the Nixon administration attempts to suppress the story.





Hanks’s Bradlee, however, is not just a man of swagger — he is a man haunted by past failures to interrogate official narratives, particularly in his previous cozy relationships with the Kennedy administration. His conversation with his wife, Tony Bradlee (played by Sarah Paulson), crystallizes the moral awakening that the Pentagon Papers demanded.





After the Pentagon Papers:
Bradlee’s defining moment arguably came after The Post published the Pentagon Papers. In 1972, he supported Bob Woodward and Carl Bernstein’s reporting on the Watergate break-in, standing firm as the Nixon administration unleashed every weapon it had. This coverage ultimately led to Nixon’s resignation.






Bradlee remained editor until 1991, transforming The Post into one of the most respected papers in the world. His memoir, A Good Life: Newspapering and Other Adventures (1995), is a candid reflection on the media, politics, and his evolving sense of journalistic duty. Bradlee passed away in 2014 at the age of 93.





Daniel Ellsberg: The Whistleblower Who Risked Everything

Portrayed by: Matthew Rhys
Real-life legacy: Former military analyst turned anti-war activist, symbol of whistleblowing ethics


Matthew Rhys brings quiet intensity to his portrayal of Daniel Ellsberg, the RAND Corporation analyst who photocopied and leaked the Pentagon Papers. Though he appears in only a handful of scenes, Ellsberg’s role is pivotal — he is the conscience behind the entire drama, the one who decided that the American public had a right to know what had been done in their name.





Ellsberg had served as a Marine and Pentagon insider, initially supporting the war effort. But after traveling to Vietnam and seeing the devastation firsthand, he became disillusioned. The decision to leak the Papers was not impulsive — it was the culmination of years of growing moral anguish.




After the Pentagon Papers:
Ellsberg was charged under the Espionage Act and faced over 100 years in prison. But in 1973, the charges were dismissed due to governmental misconduct, including illegal wiretapping.

He spent the next five decades as a vocal critic of U.S. militarism and an advocate for whistleblower protections. Ellsberg was a major influence on Edward Snowden and other modern leakers. He continued writing and speaking until his death in 2023 from pancreatic cancer. In his final interviews, he said he had no regrets.


![Reality Leigh Winner (born December 4, 1991)[5][6] is an American U.S. Air Force veteran and former NSA translator. In 2018, she was given the longest prison sentence ever imposed for an unauthorized release of government information to the media[7] after she leaked an intelligence report about Russian interference in the 2016 United States elections.[8] She was sentenced to five years and three months in federal prison.[9] On June 3, 2017, while employed by the military contractor Pluribus International Corporation, Winner was arrested on suspicion of leaking an intelligence report about Russian interference in the 2016 United States elections from the National Security Agency (NSA) to the news website The Intercept. The report indicated that Russian hackers accessed voter registration rolls in the United States with an email phishing operation,[10] though it was unclear whether any changes had been made. The Intercept's mishandling of the material exposed her as the source and led to her arrest.[11] Twice denied bail, Winner was held at the Lincoln County Jail in Lincolnton, Georgia.[12] On August 23, 2018, Winner was convicted of "removing classified material from a government facility and mailing it to a news outlet" and sentenced to five years and three months in prison as part of a plea deal.[13] She was incarcerated at the Federal Medical Center, Carswell in Fort Worth, Texas, and released to a transitional facility on June 2, 2021.](https://i0.wp.com/moviestohistory.com/wp-content/uploads/2025/06/Reality-Winner.jpg?ssl=1)


Supporting Players: Journalists and Advocates of the Truth
Ben Bagdikian (played by Bob Odenkirk)

Bagdikian was an assistant managing editor at The Post and the man who tracked down Ellsberg and obtained the Pentagon Papers for the paper. Odenkirk plays him with understated urgency — a reporter keenly aware of the stakes.





Later career: Bagdikian became a media critic and dean at the UC Berkeley Graduate School of Journalism. His book The Media Monopoly (1983) warned presciently about the consolidation of media ownership.
![Ben-hur Haig Bagdikian[2] (January 30, 1920 – March 11, 2016) was an American journalist, news media critic and commentator,[3] and university professor. An Armenian genocide survivor, he moved to the United States as an infant and began a journalism career after serving in World War II. He worked as a local reporter, investigative journalist and foreign correspondent for The Providence Journal. During his time there, Bagdikian won a Peabody Award and a Pulitzer Prize. In 1971, he received parts of the Pentagon Papers from Daniel Ellsberg and successfully persuaded The Washington Post to publish them despite objections and threats from the Richard Nixon administration. He later taught at the University of California, Berkeley Graduate School of Journalism and served as its dean from 1985 to 1988. Bagdikian was a critic of the news media.[4] His 1983 book The Media Monopoly, warning about the growing concentration of corporate ownership of news organizations, went through several editions and influenced, among others, Noam Chomsky. He has been hailed for his ethical standards and has been described by Robert W. McChesney as one of the finest journalists of the 20th century.](https://i0.wp.com/moviestohistory.com/wp-content/uploads/2025/06/Ben-Bagdikian-.jpg?ssl=1)
![Ben-hur Haig Bagdikian[2] (January 30, 1920 – March 11, 2016) was an American journalist, news media critic and commentator,[3] and university professor. An Armenian genocide survivor, he moved to the United States as an infant and began a journalism career after serving in World War II. He worked as a local reporter, investigative journalist and foreign correspondent for The Providence Journal. During his time there, Bagdikian won a Peabody Award and a Pulitzer Prize. In 1971, he received parts of the Pentagon Papers from Daniel Ellsberg and successfully persuaded The Washington Post to publish them despite objections and threats from the Richard Nixon administration. He later taught at the University of California, Berkeley Graduate School of Journalism and served as its dean from 1985 to 1988. Bagdikian was a critic of the news media.[4] His 1983 book The Media Monopoly, warning about the growing concentration of corporate ownership of news organizations, went through several editions and influenced, among others, Noam Chomsky. He has been hailed for his ethical standards and has been described by Robert W. McChesney as one of the finest journalists of the 20th century.](https://i0.wp.com/moviestohistory.com/wp-content/uploads/2025/06/Dean-.webp?ssl=1)
![Ben-hur Haig Bagdikian[2] (January 30, 1920 – March 11, 2016) was an American journalist, news media critic and commentator,[3] and university professor. An Armenian genocide survivor, he moved to the United States as an infant and began a journalism career after serving in World War II. He worked as a local reporter, investigative journalist and foreign correspondent for The Providence Journal. During his time there, Bagdikian won a Peabody Award and a Pulitzer Prize. In 1971, he received parts of the Pentagon Papers from Daniel Ellsberg and successfully persuaded The Washington Post to publish them despite objections and threats from the Richard Nixon administration. He later taught at the University of California, Berkeley Graduate School of Journalism and served as its dean from 1985 to 1988. Bagdikian was a critic of the news media.[4] His 1983 book The Media Monopoly, warning about the growing concentration of corporate ownership of news organizations, went through several editions and influenced, among others, Noam Chomsky. He has been hailed for his ethical standards and has been described by Robert W. McChesney as one of the finest journalists of the 20th century.](https://i0.wp.com/moviestohistory.com/wp-content/uploads/2025/06/Ben-H.-Bagdikian-.jpg?ssl=1)
![Ben-hur Haig Bagdikian[2] (January 30, 1920 – March 11, 2016) was an American journalist, news media critic and commentator,[3] and university professor. An Armenian genocide survivor, he moved to the United States as an infant and began a journalism career after serving in World War II. He worked as a local reporter, investigative journalist and foreign correspondent for The Providence Journal. During his time there, Bagdikian won a Peabody Award and a Pulitzer Prize. In 1971, he received parts of the Pentagon Papers from Daniel Ellsberg and successfully persuaded The Washington Post to publish them despite objections and threats from the Richard Nixon administration. He later taught at the University of California, Berkeley Graduate School of Journalism and served as its dean from 1985 to 1988. Bagdikian was a critic of the news media.[4] His 1983 book The Media Monopoly, warning about the growing concentration of corporate ownership of news organizations, went through several editions and influenced, among others, Noam Chomsky. He has been hailed for his ethical standards and has been described by Robert W. McChesney as one of the finest journalists of the 20th century.](https://i0.wp.com/moviestohistory.com/wp-content/uploads/2025/06/Ben-Bagdikian-.webp?ssl=1)

Fritz Beebe (played by Tracy Letts)

Beebe was chairman of the board at The Washington Post Company and Kay Graham’s confidant. The film shows his gradual deference to her growing confidence.





Later career: Beebe remained an important advisor until his death in 1973, remembered as someone who ultimately supported Graham’s leadership during a critical juncture.

Tony Bradlee (played by Sarah Paulson)

Tony was not a journalist, but her quiet counsel to her husband — reminding him that “we have kids” while still recognizing the stakes — adds emotional depth. Her presence in the film underscores the personal toll of these decisions.





The Cultural and Political Parallels: Then and Now
At the time of its release in 2017, The Post was widely interpreted as a response to the Trump administration’s hostility toward the press. It was not subtle: Spielberg fast-tracked the film’s production to ensure it released while press freedom was under direct attack. But the parallels between the Nixon era and the contemporary climate go even deeper.






1. Government Secrecy and Misinformation

Just as the Pentagon Papers revealed a decades – long campaign of deception by the government, modern politics is rife with disinformation — on everything from military interventions to pandemic response. In both eras, journalists play a crucial role in uncovering the truth that officials would prefer remain hidden.
2. Legal Threats to the Press

Nixon sought court orders to prevent publication. Trump labeled the media the “enemy of the people,” floated revising libel laws, and pursued whistleblowers. The Espionage Act, used against Ellsberg, was revived to charge Chelsea Manning and Edward Snowden. Press freedom, though constitutionally protected, is never guaranteed.
3. Gender and Power

Kay Graham’s struggle for respect as a woman leading a major newspaper resonates in today’s conversations about gender parity in media, politics, and business. Her story is emblematic of the quiet revolutions that transform not only institutions but the individuals within them.
4. Whistleblowers and Accountability

Ellsberg’s moral clarity mirrors that of later leakers who risked their lives or freedom to reveal truths — often vilified by those in power. Whether one sees whistleblowers as heroes or traitors, their sacrifices spotlight a central democratic question: Who gets to decide what the public has a right to know?
Why The Post Matters
Beyond its impeccable craftsmanship, The Post is essential viewing because it reminds us that democracy is not a given — it is an ongoing project, fragile and dependent on the actions of individuals who decide, in moments of great pressure, to do the right thing.


This film is not about perfect heroes. It’s about people who were scared, uncertain, constrained by legal risks and societal norms, but who acted anyway. It’s about the press not as an abstract institution, but as a collection of people willing to put their reputations, livelihoods, and even freedom on the line for the truth.

A Film That Demands Rewatching—and Reflection
The Post is not a period piece — it is a mirror. In a time when media trust is low, disinformation spreads rapidly, and executive power threatens to override democratic norms, this film asks: Who will tell the story? Who will stand up? Who will publish?

For its powerful performances, historical resonance, and its urgent reminder that the free press is the beating heart of a democratic society, The Post is not just recommended — it’s required viewing.
Watch it. Discuss it. Learn from it. And never take your freedoms for granted.

The Post is available now for rent on all streaming platforms…
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